Sunday, April 7, 2013

Nazia Pasha- Journal #9



After listening to Black Star’s album, the first thought that came across my mind was, the lyrical dexterity, the seamless flow, and the poetic charm of Mos Def and Talib Kweli.  This album seemed to define what the classic/true hip-hop genre is, the lyrical underground rap, which stands out from today’s mainstream hip-hop and rap. The songs consist of the combination of a rhythmic backbone through beats along with strong poetic lyricism. Another strong identifier of the classic hip-hop genre in this album is the large role that the DJ plays in the production of each song. The DJ, as we learned in class, is a main component of hip-hop.
Other than the beats and the musical aspect of the songs, another main difference between Black Star’s album compared to rap and hip-hop today is the point it is trying to make. Mainstream rap today mainly focuses on sex, violence, and fame, while this album’s lyrics actually discusses the struggles of living in Brooklyn, the situations people face in that area, such as poverty, misogyny, etc.
Black Star’s album emphasizes the social and economic history in the U.S. through its focus on personal experiences in Brooklyn, where Mos Def and Talib grew up. Main themes such as crime, fame, and money, are all evident in the album. For example, the song "Respiration," a rather dark track that embodies the heart and soul of true East Coast rap. It mentions personal experiences, crime, and death. The last rap of the song focuses on the death of a friend, and advises listeners to avoid the trap of the "gangsta" lifestyle.
All of the songs on this album give the listener a more realistic message than the famous rap songs of today. Black Star’s lyrics are concrete, allowing it to directly impact its audience by laying down the law. It does not glorify the “gangsta” lifestyle nor does it describe one rolling around in money and women, as if anyone could so easily.

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